Notice: I’m currently looking for open design positions in New York, full-time (or part) starting August ︎

︎︎︎A mechanical pet called ‘π’ constisting of a gyroscopic arm and a light tranforming cell serves as a pedagogical tool for the final version Watch full video ︎

︎︎︎ Latent Manifestations (BETA), December 2022: Interactive mixed reality installation + research documentation; an environment where time and space are manipulated and reconfigured using Infrared true-depth sensors and a HoloLens. See full project ︎

︎︎︎Соловейко (Nightingale), March 1st 2022: Footage from the Russian invasion of Ukraine February 24th–28th 2022 and three Ukrainian folk songs. Watch full video ︎

There is a before and an after; the lives of all Ukrainians have changed. Reminded of the ephemerality of peace, the World watches on as the people of Ukraine unhesitatingly make impossible decisions and inconceivable acts of resistance.

︎︎︎Special thanks to the ones who helped me translate the lyrics while their family or they themselves where directly influenced by the war: Maryna Zevako, Orysia Zabeida, Peter Tranelund, Karina Suli and Misha Davydov.

︎︎︎SWINE, Dec 2021: Type design based on plasmacut metal lettering and 16th century Civilité scripts provisioned by Tobias Frère Jones. See full project ︎

︎︎︎Ruda Patrice, type design, 2022

︎︎︎Usefulness of uselesness, writing and editorial spreads for publication at the Royal Danish Academy, 2020

︎︎︎Ganja Farmer album covers set in Mule Cargo custom type design, 2021

︎︎︎Judith Black, Sept 2021: Poster for Yale School of Art visiting artist series

︎︎︎Bavian Grotesque, type design, 2018

︎︎︎Exhibition Making, poster, 2019

︎︎︎Memes in Digital Culture, editorial design, 2018

︎︎︎Fake, poster, 2018

︎︎︎3 Years of Summer, May 2022: Autonomously published anthology on the fear of modern climate collapse in relation to the Nordic Sagas of Ragnarök. See full project ︎

︎︎︎3 Years of Summer, May 2022: Promotional animation

︎︎︎Bonsai Reality, May 2021: Textile silkscreen prints (200×180 cm) and explorative research on the shifting realities of beauty standards apllied on our skin in digital space and real life. See full project ︎

︎︎︎Ukurant, 2020: Visual identity, publication and branding of student driven creative community and exhibition platform. See full project ︎

︎︎︎Paul Rand Lecture Series starring Silvio Lorusso, Yale School of Art, April 2022.

︎︎︎Dialogue Coffee, visual identity made at Urgent.Agency, 2019

︎︎︎ Book launch poster design, September 2022: After the Bauhaus Before the Internet by Geoff Kaplan

︎︎︎NORDHÅB, visual identity, 2019

︎︎︎Growing, exhibition visual identity, 2020

︎︎︎Bullshit? No Thanks, made at Urgent.Agency, 2020

︎︎︎Lost In Kyoto, poster, 2020

︎︎︎Mule Cargo, type design, 2019

︎︎︎Mural Vienna, 2021

︎︎︎Processing poster, 2018

︎︎︎Eventyret over dem alle, podcast artwork, 2019

︎︎︎Low Season, documentary poster, 2020

︎︎︎Between Isolation, October 2022: Film projection, Direction and animation. Made in collaboration with performer Kellie Lynch and musician Cody Boyce and screened at the opening ceremony of Yale Schwarzman Center. See full project ︎

︎︎︎Occluded Eye, Dec 2021: Autonomous publication and research on “Blue Phones” in New Haven and the public discourse and history of campus police and security. See full project ︎

︎︎︎Blanket Statement, October 2022: Visual identity and exhibition design made in collaboration with M.C. Madrigal for Yale School of Art. See full project ︎

︎︎︎ World Gift, April 2022: “Gebo” (Gift) rune and the Earth representing the world post Ragnarök, textile print.

︎︎︎ Invisible Workers, Oct 2021: AI video peice about the discourse around modern creative work and the industrialized farmers of Denmark in the 1890’s Modern Breakthrough paintings. Watch full video ︎

︎︎︎Vice Patrol, Oct 2021: Poster for Yale Research Initiative on the History of Sexualities.

︎︎︎Næste, visual identiy made at Urgent.Agency, 2019. See more ︎

︎︎︎Illustration linoleum print, 2020

︎︎︎Agorahaverne, visual identity and web design made at Urgent.Agency, 2020

︎︎︎Union, visual identity made at Urgent.Agency, 2019

︎︎︎Natmus Stories: Visual identiy and media platform concept for the National Museum of Denmark, 2018. See full project ︎

︎︎︎12 Angry Men, kinetic type installation 2018. See full project ︎

︎︎︎Ganja Farmer, album artwork, 2020

︎︎︎Illustration, linoleum print, 2018

︎︎︎Illustration, 2021

︎︎︎3 Years of Summer, May 2022: Projection mapping and ice sculpture installation at the Beinecke Rare Book Library. The myth of Ragnarök and the fear of climate collapse is a historical and spiritual parallel to our contemporary fear of climate apocalypse which is creeping in a deceivingly steady and unthreatening way. See full project ︎

︎︎︎Animation: The story of Ragnarök Watch full video ︎

︎︎︎Ög 136, May 2022: Runic font in 29 styles featuring all Elder and Younger Futhark long branch runes + uppercase latin letters, numerals and symbols. See full project ︎

︎︎︎O/Day Fest, 2022: Merch design with tarot card illustrations. Like 'O' the arcane cards are non-linear: The World represents an ending to a cycle of life, a pause before the next big cycle beginning with the fool. Photo by Anne Krogh. Support me and the festival: Buy t-shirt and tickets here ︎︎

︎︎︎Reanimate Vienna, Oct 2021: Projection mapping on the old anti air towers of Augarten during Angewandte Festival. See full project ︎

︎︎︎Worlds Within Worlds, Oct 2021: Video and audio installation venturing into the highly visible yet unseen and restricted. See full project ︎

︎︎︎Variable font exploration, April 2021

︎︎︎The Messy History of Climate Discourse, 2021: Collaborative project with Frederik Plesner and Frederik Wendt exploring non linear and multi modal means of communication in order to battle apocalypse fatigue and self blame – coining “where-is-waldo-core”. See full project ︎